**”Disney’s Snow White Faces a Brutal Roast: Family Guy and South Park Join the Critique of Hollywood’s Reboot Culture”**
In a savage cultural critique, *Family Guy* has taken a sledgehammer to Disney’s recent rebranding efforts with its live-action *Snow White*, leaving the studio’s reputation in tatters. The animated series, known for its audacious humor, didn’t hold back, delivering a stinging indictment of Disney’s obsession with reviving classic tales through a controversial lens.
In a pivotal scene, Peter Griffin wanders through a dilapidated Disneyland, his confusion mirroring the audience’s frustration with Disney’s recent narrative choices. As a roller coaster labeled “Disney Stock” plummets in the background, viewers can’t help but feel that the company’s empire is crumbling under the weight of forced reboots and identity politics. The line “What is everything?” has since become a meme, encapsulating a widespread sentiment that audiences are fed up with hollow reinventions masked as entertainment.
But *Family Guy* isn’t alone in its criticism. *South Park* previously unleashed a nuclear bomb on Disney’s approach, mocking the very executives behind the studio’s reboots. In their *Pandaverse* special, they introduced a character parodying Kathleen Kennedy, proclaiming the now-infamous line “Put a chick in it and make her gay,” which has become a rallying cry for critics who believe that Disney’s recent output lacks substance.
At the center of this whirlwind is Rachel Zegler, the actress who has unwittingly become the face of this backlash. The recent release of *Snow White* showcased dismal box office numbers, barely scraping $184 million despite an estimated budget of $240 million. Meanwhile, Zegler’s personal controversies, from her remarks about the original film to her political stance, have only intensified the scrutiny surrounding her role.
As Disney prepares for its next ambitious project—a live-action *Tangled* rumored to cost over $500 million—the stakes have never been higher. With the pressure mounting and the public’s trust eroding, Disney’s future hangs in the balance. The question remains: will they adapt before their next gamble crumbles under the weight of public disdain, or will the animated roasts continue to rain down, signaling the end of an era?